Nebraska Cultural Endowment: Livelihood
There are surreal moments in a photographic life; after all, that life is often a solitary one, with long, quiet hours spent on the road, in the field, and in one’s own mind. After a time, it’s easy to begin thinking about the absurdity of those pursuits, the frivolity of such a life. But moments like this morning are very nice indeed, and they infuse me with energy for years to come.
Erin Sample, the communications director at the Nebraska Cultural Endowment, the partner organization to the Nebraska Arts Council (where my show Recollections is featuring through May), contacted me in late March and asked if she could feature me as one of their statewide “Livelihood” stories. I didn’t hesitate for a moment, for it is a profound honor. So I sent in my materials, and Erin worked with me to finalize the feature. And then I put it out of my mind, until Erin e-mailed me this morning: “Brett, the story’s up!”
I’ve had a lot—a LOT—of shows. I’ve given lots of talks. Each was an honor, too. But I’m so very moved to be featured in this way, and I’m emotionally and physically humbled as well, because I’m being included in a group of very, very impressive Nebraskans.
And I hope the Cultural Endowment doesn’t regret their decision.
This show at the Nebraska Arts Council’s Fred Simon Gallery has been a long time coming, and like every show I’ve ever done, I’m terrified. I was awarded the show in 2013, and when it comes to this show, I’m in a very different place, artistically (and literally) speaking. Am I too “out there?” Will people not understand the work? Have I been too heavy-handed? These fears are exponentially larger this time, since the concept of the show is so much more complex. This one is…risky. Very risky.
So, either I’ll go down in flames, my photographic career languishing in Icarian glory, or I’ll still go down, but in a pallid hue of boring. But maybe, just maybe, there’s a chance I might get lucky and people will connect with the pieces and the show itself.
Here’s to hoping.
The Recollections show opens in less than one month (April 20), with the reception on May 1 from 5–7. The pieces are composed and prepared, and now mounting and construction will begin in earnest.
Here’s a preview of Intuition under construction.
Recollections No. 1: Longing
Well, I’ve returned from the Southwest after teaching a one-week course called “The American West: The Vision and the Print” at the Santa Fe Photographic Workshops. My very dear friend Melinda Green Harvey was in the class, and I can’t even begin to express how much fun I had working with such a pal over a whole week, and just talking about pictures to boot! But now I’m back, and it’s time to get back to work on shooting.
I was honored earlier this year when the Nebraska Arts Council named me as one of their 16 solo/duo statewide exhibitors for the Fred Simon Gallery in Omaha’s Old Market district for 2015. Of course, that comes with a workload–I have to produce a new body of work. While the overall series is about half done, I won’t show much of the pieces until the show opens in April of next year.
But it’s always fun to offer a preview…