Month: September 2012

Retrospective: Cascades Trio

Cascades Trio, Chaffee County

Cascades Trio, Chaffee County
July, 2009
7:15 p.m.,

My mentor has told me reviewing old images is sometimes even more fun than making them, and in the case of “Cascades Trio, Chaffee County,” that’s certainly the case. I’ve been visiting this spot since I was very small; the dust of the area permeates my soul. But the place, like all in nature, subtly changes even from moment to moment, and I knew these three granite souls would be gone the next spring, moved to newer pastures by the rushing snowmelt, one more stop on the way to becoming so much mountain dust. And so one evening, as the red light bounced from canyon wall to canyon wall, the high summer water rushing past, I set my tripod for a long exposure to still the waters and record the light.

And, for a single moment, I could record the answer to the question, “What is this place?”

Retrospective: Leif and Claire, Lusker Ranch

Leif and Claire, Lusker Ranch

Leif and Claire, Lusker Ranch
May, 2012
6:45 p.m.

This is a portrait I’m submitting to the Digital Photo Pro “The Face” contest next week, and it remains one of my favorite images. The High Plains stretch out behind Leif as he looks to the south for his father, while Claire, tolerant of Leif’s torture for the moment, looks serenely to the north. The textures in the photo, together with the muted natural tones of the landscape and the fleeting unguarded moment from the pair, combined to make an image that resonates with me every time I see it. Moreover, the image represents a culture–the Great Plains ranch culture–that may not remain in 50 years, and for that reason alone, the image has life.

Retrospective: A Fall Project

St. Elmo General Store

St. Elmo General Store, September, 2001
Colorado
5:45 a.m.

I regard this photo as one of my masterworks; it never loses its power for me. The selection and repetition of colors, repetition of shapes, use of parallel lines, metal textures, and the subtle message on the barber pole of “LOOK. FEEL.”

As I was driving home from class in Lincoln, Nebraska, last night at 11:30 p.m., I was thinking about the conversation that our Instructional Materials class had engaged just earlier: “What makes a good design? A good photograph? How do Zen principles enlighten a design or photograph?”

And I realized I had never taken the time to look back on more than twenty years of photography and say, which ones are strong? As my good friend Sam would say, which of these have a life?

So, considering the weight of doctoral work means I have no time to wander the West looking for photos this fall (which is painful, by the way; fall in the West is my very favorite time to shoot, as I feel a palpable energy in the cool breezes and chill mornings), I realize it’s an appropriate time to post images that have life for me.

Feel free to disagree with my choices, or comment freely. After all: If nothing else, art is discourse.

Happy viewing.